Steven Spielberg’s Movie Magic Has a Dark Side

Winford Hunter

The final act of Steven Spielberg’s semi-autobiographical movie, The Fabelmans, revolves around what should really come to feel like a triumph for its teenage protagonist, Sammy. A budding filmmaker in early-1960s California—and an evident Spielberg analogue—Sammy screens a motion picture all through prom that he shot of his classmates. The […]